By Ralph CrenshawThere are many who say that the movie is never as good as the book, sadly, as this The Da Vinci Code movie review will show, they are probably right. The movie had all the makings to become an enormous success. Tom Hanks as the leading man, an Oscar winning director, and based on an incredibly popular best selling book. The creators of this film must have taken that for granted as they forgot to make this a good movie.
The story is disjointed and none of the mystery and puzzle solving the book was famous for transferred onto the big screen. The screenplay is weighed down by pointless exposition, never giving the audience any character development. Details that where small in the book were made huge in the movie, and very important sections of the book were either fast forwarded through or left out all together.
Critical plot points are “included” via flashback scenes that I have no idea how someone who has never read the books is possibly supposed to understand. The character development of the albino monk was on of the most fascinating storylines in the book. Besides one or two unexplained flashbacks this was completely ignored in the film.
When a new clue or riddle presents itself there is no explanation to how the character solves it, it is almost like they are struck by divine intervention when figuring it out. The book was a RIDDLE MYSTERY. The movie doesn’t even come close to having that feel. I want to feel the suspense and anxiety the characters go through when facing a seemingly unsolvable mystery. Instead we had people standing around until the cartoon light bulb appeared over their head, so the story could continue.
The biggest testament to how poorly the script was written was the awkwardness of Tom Hank’s character. I have never seen Hanks give a poor performance, but even he seem baffled at the directions this movie took. It takes a great deal of work to make Tom Hanks look bad, but “The Da Vinci Code” tried very hard. Instead of being able to focus on the story, I was left feeling sorry for Hanks for having to put up with such a piece of garbage.
While the movie was pretty to watch, it lacked any substance or intrigue. The people behind the scenes must have become incredibly lazy to make such a bad translation. With the book being such a huge success there was obviously room for a huge letdown, but this film crashed straight through even that floor. If you have never read the book there is a chance you will be entertained, but if you have, expect a huge disappointment.
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By Todd Murphy
BOTTOM LINE: A rich, heart-warming film that takes the unusual premise of a man growing younger and using it to provide a number of life lessons about making the most of what you have been given.THE GOOD: Director David Fincher has made some very rich and complex films in his career, many exploring the darker sides of humanity. With "Curious Case", he still retains his unique style but manages to fuse it with a more heart-warming feel without losing touch with reality which he could easily have done given the quirky premise of a man born old who grows younger. Many great themes of life, love and death are covered, particularly the ideas of destiny, fate and choice. Benjamin Button (Brad Pitt) is abandoned at birth by his father who thinks he is a monster. He is taken in by a loving black woman who raises him in her old person's home who are there to live out their few remaining years. As Benjamin grows, he gains a unique perspective on life; he learns quickly about the end of life and what it means to not waste any moments you have been given. Coupled with his unusual condition which makes him an outcast, Benjamin develops in to a gentle, non-judgmental character you cannot help but love. This is no more demonstrated in his relationship with Daisy (Cate Blanchett) whom he meets early in his life and leads to a rocky friendship to an eventual loving relationship. Fate continues to bring them together, and when their respective ages become closer, they develop a relationship which is full of highs, but is doomed to end early as their age gap begins to widen again.
One brilliantly constructed scene involves a car accident involving Daisy. Benjamin re-constructs the incident in his mind, pointing out a number of very minor events, and if even one of these minor events had not occurred, she would not have been on the street at the time she was involved in the accident. In many ways, this scene envelopes the finer themes of fate that run throughout this film and how life can take things away from you in a single moment, a lesson which works for all of us in that we should never take our lives for granted. Both Brad Pitt and Cate Blanchett are perfect in their respective roles. Pitt delivers a very understated performance that is instantly loveable given Benjamin's gentle persona. Blanchett creates a complicated girl who has a very turbulent early life but becomes content and grounded when she becomes more intimately involved with Benjamin. The images are absolutely glorious. David Fincher is renowned for creating vivid, and carefully constructed shots and he does not disappoint in this movie, with each picture being a movie in itself.
THE BAD: The film feels a little long-winded. At over two and a half hours, the film does have a slow pace which could have been improved with some editing. The film is not boring, but there were some moments where I found myself shifting in my seat, more because of the running time than the story. The scenes involving Daisy as a dying woman in the hospital with her daughter reading Benjamin's diary do not always fit naturally in to the Benjamin's life story, and the moment where her daughter realises that Benjamin is her real father does not seem fair to the character when it happens. In many ways, "Curious Case" has a lot in common with "Forrest Gump", but unlike the latter film, "Curious Case" does not have the same energy or pace to make it stand out as a masterpiece. Having made these points however, David Fincher has done a fabulous job with this film and it is worth seeing at the cinema.
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